Deep Blue Sea (1997/98)

Deep Blue Sea was my second collaboration with director Renny Harlin. I worked on this movie for a long time. I came onto the project early to produce concept illustrations inspired by the script , for presentation at the WB green light meeting. I got to work in an office with the amazing production designer Joseph Bennett, researching and concepting many of the sets. After that, I moved onto the storyboards and drew in a style that did not get muddy when it was faxed. I even went back to England while the World Cup was on and continued working remotely. I remember thinking at the time, that if color fax machines came on the market, I'd be able to work from anywhere!